A Guide To Firework Photography
I spent a lot of time photographing fireworks for a local company I used to work for and I still take a lot with couples when doing their Wedding Photography. Firework photography is always good fun and If you have done any long exposure shots before then it’s pretty much the same thing but you don’t usually need an exposure of more than a second or two. A good tripod is essential and a trigger release if you have one to avoid any camera shake. It’s normally better to get as far back as possible because the fireworks nearly always go higher than you think they will and having worked for a Firework company for a number of years and been stood directly underneath a number of times, the best photos usually come from further away because it gives you an opportunity to include foreground objects to give an idea of the scale of the event or to capture the crowd enjoying it like this picture below at Sledmere House.
Lenses and Technique
In terms of lenses a standard 24-70mm lens will be fine. If you have a wide angle that can sometimes look good as well depending how close you are. As with most long exposures you can keep a very low ISO and an average aperture of about f8 or f9 usually works well. The key to Firework Photography is timing, you need to try and time it so you capture the light trails and the fans of colour from the shells. If you listen you can normally hear the tell tale thuds as the big fireworks launch into the sky so you can get ready to hit the shutter as they explode. Most fireworks are over in a couple of seconds so you shouldn’t need an exposure of more than two seconds for most shots. I’d always recommend manual focus for these types of shots otherwise your camera will be constantly trying to focus on the numerous different things happening at once. If you are including some foreground it’s best to focus on that and if it has a light source like a building then you might need to adjust the exposure a bit so that both the foreground and fireworks expose correctly. One thing to watch out for is condensation on your lens. If you’ve had your camera in a car or backpack where it’s warm and then you bring it out into the cold air your lens can fog up repeatedly until the temperatures equalise so it’s worth letting your equipment acclimatise if it’s cold and damp which it usually will be!
If you are going for close up shots then it’s just a case of zooming in and filling the frame with the colour and light trails. I like to get some foreground in whenever possible because I always think that sense of scale shows just how impressive the display really is! This can be a bit tricky as you don’t always know how high the fireworks will go or how many are going at once. But with a bit of practise you will soon get a feel for it and be able to capture some great shots! If you have any questions feel free to get in touch via the website or social media.
To see more of my commercial photography visit www.joshharrisoncommercial.co.uk
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